"[34] The BBC's David Quantick praised the "perfect" combination of Bowie and Rodgers on the title track, the "sweet, romantic" rendition of "China Girl" and highlighted "Criminal World" as "one of the best songs". The album's influences were described as Louis Jordan, Southside Johnny and the Asbury Jukes, Bill Doggett, Earl Bostic and James Brown. Benjamin David Benny Goodman (* 30. [33] Robert Christgau felt that it had a "perfunctory professional surface", and that other than "Modern Love", which was "interesting", the album was "pleasantly pointless". Stevie Ray Vaughan played lead guitar on this song. Critical reviews for Let's Dance as an album were mixed, although Rolling Stone later described it as "the conclusion of arguably the greatest 14-year run in rock history". Otherwise, the record had a great deal in common with Wham! It was virtually a new kind of hybrid, using blues-rock guitar against a dance format. He was also the location finder/manager for the, The song stands out from Stevie Ray Vaughan's usual blues-rock territory. One reviewer called it "Bowie at his best". It's working out well and we won't be needing you. Said Bowie: "I tried to produce something that was warmer and more humanistic than anything I've done for a long time. [46]. Her message and music is uplifting and inspiring. The move damaged the two men's relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002's Heathen). There was a further reissue in 2003 when EMI released the album as a hybrid stereo SACD/PCM CD. Share, download and print free sheet music for piano, guitar, flute and more with the world's largest community of sheet music creators, composers, performers, music teachers, students, beginners, artists and other musicians with over 1,000,000 sheet digital music to play, practice, learn and enjoy. Less emphasis on the nihilistic kind of statement.". "I don't play a damned thing. The Canadian version of the 1999 EMI release includes a data track, so that when the CD is loaded on a Windows PC, the user is presented with a promotion of internet access services and other premium content from the davidbowie.com website. [35], Writing for The Guardian in 2014, Jeremy Allen stated that Let's Dance had "spent time in the wilderness, rejected by many because of its 80s production values", but he added that "a reappraisal was all but inevitable and has coincided with a renaissance in Rodgers' career and an outpouring of love for the unprecedentedly successful producer/guitarist. "[39] After his follow-up albums Tonight (1984) and Never Let Me Down (1987) were critically dismissed,[42] Bowie formed the grunge-precursor band Tin Machine in an effort to regain his artistic vision. An eponymous music video extended play was released in 1983 of the three promotional films for the album on Beta, VHS and laserdisc. Some people have called it a hang drum, hang instrument, and Handpan instrument. Nile Rodgers said in a 2018 AMA Reddit he wishes there was cellphones back when they recorded "Let's Dance" so he "could have captured the look on Stevie's face when he first heard the track.". There wasn't anything else that really quite sounded like that at the time. "He also produced Madonna's 1985 album Like a Virgin. Nile then took the chords (which he said "felt folksy") and helped craft them into the version used in the final production of the song. Am 8. "Let's Dance" is a song recorded by English singer-songwriter David Bowie, released as the title track of his 1983 album Let's Dance. So it only seems commercial in hindsight because it sold so many [copies]. He said the album was "literally the template for 80s Bowie – blonde, suited and smiling". [44] In 2013, NME ranked Let's Dance at number 296 in its list of The 500 Greatest Albums of All Time.[45]. Because I thought that, being David Bowie, he would appreciate the irony of doing something so pop about something so taboo. ", "David Bowie: the man who thrilled the world", "How David Bowie, Nile Rodgers Made 'Let's Dance' a Hit", "Rocklist.net....NME: The 500 Greatest Albums Of All Time : October 2013", "David Bowie Loving The Alien (1983–1988) due October", "Loving The Alien break-outs due February", "Austriancharts.at – David Bowie – Let's Dance", "Dutchcharts.nl – David Bowie – Let's Dance", "InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste", "Offiziellecharts.de – David Bowie – Let's Dance", "Norwegiancharts.com – David Bowie – Let's Dance", "Swedishcharts.com – David Bowie – Let's Dance", "Swisscharts.com – David Bowie – Let's Dance", "David Bowie Chart History (Top R&B Albums)", "Australiancharts.com – David Bowie – Let's Dance", "David Bowie Chart History (Canadian Albums)", "Italiancharts.com – David Bowie – Let's Dance", "Austriancharts.at – Jahreshitparade 1983", "Canadian album certifications – David Bowie – Let's Dance", "French album certifications – David Bowie – Let's Dance", "Dutch album certifications – David Bowie – Let's Dance", Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers, "New Zealand album certifications – David Bowie – Let's Dance", "British album certifications – David Bowie – Let's Dance", "American album certifications – David Bowie – Let's Dance", Recording Industry Association of America, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Live at La Cigale, Paris, 25th June, 1989, Welcome to the Blackout (Live London '78), David Bowie Narrates Prokofiev's Peter and the Wolf, We Were So Turned On: A Tribute to David Bowie, https://en.wikipedia.org/w/index.php?title=Let%27s_Dance_(David_Bowie_album)&oldid=987205843, CS1 maint: BOT: original-url status unknown, Short description is different from Wikidata, Album articles lacking alt text for covers, Certification Table Entry usages for Austria, Pages using certification Table Entry with sales figures, Certification Table Entry usages for Canada, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for Finland, Certification Table Entry usages for France, Certification Table Entry usages for unsupported region, Pages using certification Table Entry without certification, Certification Table Entry usages for Netherlands, Certification Table Entry usages for New Zealand, Certification Table Entry usages for Spain, Certification Table Entry usages for United Kingdom, Certification Table Entry usages for United States, Pages using certification Table Entry with sales footnote, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 November 2020, at 16:17. [23] He also said (when working on Bowie's follow-up album, Tonight) that he did not play on Let's Dance because Bowie only gave him two weeks' notice and he was already booked with other work;[14] however, Alomar did play on the accompanying Serious Moonlight Tour. The album was remastered in 2018 and included in the box set Loving the Alien (1983–1988). I thought it was a song about speedballing. He'd give his opinion on the stuff he liked and the stuff that needed work. ... Nile [Rodgers] did his own thing to it, but it wasn't quite what I'd had in mind when I wrote the thing. Most of us never hear it live; those that do often appreciate it for its unique sounds and vibrations. "[2] In a contemporary interview, Vaughan described the recording sessions for the album: .mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}, David Bowie is real easy to work with. In 1998, there was a reissue in the UK which was similar to the 1995 rerelease but did not include the bonus track. [43], In 1989, the album was ranked number 83 on Rolling Stone's list of the "100 Best Albums of the Eighties". 2 in the UK. I had every intention of continuing to do some unusual material after that. And what was really cool was that he said 'I love that!'.

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